I write quite a lot about the role of art in class structure and urban regeneration, particularly street art and art in the public realm.

This writing has been published by New Socialist, Hyperallergic and TOMA x Estuary Festival: Precarious Straits. It also features in the anthology Southend’s Twilight Worlds.

I’ve also published long form content here - Street art: who is it for? Making meaning in Southend, Strange love for Southend or: How to stop the bomb and Empty unity [sic]: Precarious proposals and the exchange of community.

Sometimes I write about literature. This has been published by London Review of Books (and again here), and The Irish Times.

I also write creative non-fiction, which has been published by Focal Point Gallery and Harlow Arts Trust.

Because of my first novel, I have a lot of thoughts on the french girl trope and aesthetic. Some of these thoughts were published by Fashion Journal.

I compared the worker’s rights of Deliveroo drivers and tradespeople historically in an article for a book, Made from this Land.